"Thank you so very much. You may be asking yourself why I'm wearing this costume. Well, the answer is I wear two hats around here. I am also the hotel bellman. In fact, except for Mr. Dave Collins over there, I am probably the last bellman in America that dresses like the old Philip Morris boy. Remember him? But I'm the more serious side and we all have one, don't we? I'd like to do a very special number. In fact, it was my signature song I used on a recently completed world tour before Iranian customs officials confiscated so many of my wonderful costumes. If you'll listen closely, I think you'll notice that I'm singing with just a little bit of that zesty black dialect, so indigenous not only to rock and roll, but to many of our native Georgians. Oh, the shark has pretty teeth here and he shows them pearly eyes. You know what I'm gonna do? I'm gonna scare the pants off of him. I'm just gonna walk right up there and request something. What are you gonna request? I don't know, Charlie, that's not the point. I'll request limestone cowboy, okay? Rind stone cowboy, Suzanne. I never knew that I could care the way I've cared. Hello, Reggie Mack. Suzanne, oh my gosh, I can't believe it. I didn't want you to see me like this. I'll bet, I want my money. Of course you want your money and who could blame you? I wouldn't blame you if you just hated me. I do hate you, now where is it? Ladies and gentlemen, a very special song for a very special old friend. She was 41 and her daddy still called her baby. Yeah, all ta-da, what's that song? Do you know what you did? You made off with my entire life savings. Suzanne, I don't want you to think I'm giving you the runaround, but Mr. Fladbeau gets very upset if I cut my gig short. Yes, but your gig is not the only thing gonna get cut short. If you don't tell me where my money is. Suzanne, I don't think we have to argue over something like this. We just call the police. I've got to go to Mr. Fladbeau's office and ask if I can take my break now. Can't you just take it? Well, I only get one a week. Don't worry about Mr. Fladbeau. I'll take care of that. You're not leaving this room. Mr. Fladbeau, this is Suzanne Sugarbaker. Reggie Mack's taking his break now, thank you. Well, it's just been a nightmare around here. People laugh and talk and throw those little fruit things out of their drink at me. Last week a man slammed his piano down on my hand because he said I screwed up Danny Boyd. There is a certain part I like to do a cappella. Reggie Mack. Yeah? I don't care who slammed the piano on your hands and I don't care who threw fruit in your face. All I care about is I want my money and I want it now. Strong, I like that."